Written during a time of strong winds, earlier this month:
Art, Music, and Ideas
As the end of the year draws near, I'm posting a poem I wrote in April 2018. It seems a propos.
Strength dwells in surprising places where we might not think of looking for it.
Thanks to Rosemerry Trommer (wordwoman.com) for the Ordinary Sacred: Writing Into Being retreat, facilitated by Marcia Eames-Sheavly, of the Center for Courage and Renewal, and for the prompt that allowed me to write this poem.
Jesus and I just hate it when the diner just off the interstate is closed for any reason.
It finally came to our lakeside microclimate: a first snow. Some of you have already experienced this, to an uncomfortable degree, perhaps, but have you written your first snow poem for the season? I highly recommend the practice, which I first heard about from Liz Rosenberg (with many thanks!). Click below to listen to mine for 2024.
I am so grateful to have readers and listeners like you to share my thoughts with. Here is a Thanksgiving offering.
Another light installation at MassMoCA that fascinated me, James Turrell's Perfectly Clear, inspired this poem:
Another poem from my residency at MassMoCA. The light installations by James Turrell were especially interesting to me.
I cried when I voted at our county courthouse on Monday. What if it is the last election?
During my residency at MassMoCA in North Adams, MA, I worked every morning in this studio. One of the many perks there was free admittance to all areas of the museum. It was my playground, and I spent a couple of hours each day, exploring here and there. Please enjoy this poem, a response to a moving sculpture in Building 6.
So much to enjoy as we look around, in October, in upstate New York. I'm storing it all up to remember in the middle of the winter. See your optometrist regularly.
I've been writing some pretty serious stuff during my amazing residency at MassMoCA and the week that followed. Time for some levity.
Just before I left for my residency at MassMoCA, I wrote this haibun about what I used to call bittersweet, because I fell in love with lines from one of Millay's sonnets where someone "loves you less than life, a little less than bittersweet upon a broken wall ..." It is in fact Virginia creeper, here in upstate New York. I managed to revise my own work, but I wonder whether Millay was really sure about what she referred to in her sonnet?
I'm back from a week of artist residency at Massachusetts Museum of Contemporary Art. I felt like a child in a playground, wandering around the buildings and exhibits. Here's a poem from that productive time:
Last week, we spent time in the White Mountains, around Franconia Notch, and North Woodstock.
From the kayak as the sun went down in the west and the moon rose in the east.
And this poem I wrote with a few lines of prompting from John Burroughs, the Ohio Beat Poet Laureate who read in Corning recently:
September again. I don't understand how. But it is beautiful whether I understand it or not.
Playing with the Phantomwise Tarot of Erin Morgenstern, artist and author of Starless Sea and The Night Circus, new favorite books of mine.
We've just about recovered from our big July trip to Athens, Rome, and the Mediterranean in between. Here's the newest Jesus poem:
The photo comes from the recent Mediterranean visit - in the Gulf of Naples, as we were underway on our way to Civitivecchia, a port of Rome.
New computer. New method of voice recording. I hope you're able to click on the blue poem title below and hear my voice clearly.
Poetry friends!
Steve and I are preparing to leave on a four-city,
two-state poetry reading tour
to support the recently published
Ground and Sky anthology,
Journeys of Sacred Community,
which contains a handful of my poems.
We'll start in Erie, then drive to Pittsburgh,
to Kent State University near Akron,
and finish in Cleveland.
We recently presented the book in Rochester,
at a special launch event at the bookstore,
Before Your Quiet Eyes,
hosted by our generous publisher, Ken Kelbaugh.
A week later, we were in Buffalo,
at Caffe Aroma's Wednesday night open mic,
which is a passionate volcano of an open mic.
Thanks, Ben, for hosting us there!
Before we leave, I am sending out
this poem about my new granddaughter,
one of the hardest I've ever written,
overwhelmed as I am
by emotions and memories.
I hope you enjoy it.
Recently seen in Watkins Glen. And this poem, drafted early in May, finally here for you:
The epigraph for today's poem is from Max Ehrmann's short piece, Desiderata, which was printed on a poster many of us hippies had posted on our dormitory walls. I've thought about its words many times over the years.
May arrived rather quickly. But perhaps that's a good thing: April was National Poetry Month and it quite exhausted me! Finally, I have begun to write poetry again, so here you go:
No, those aren't daisies -- that's a closeup of one of our many hyacinths. But this poem takes place in another garden.
The Irish soda bread I made last month from a great, easy recipe (https://www.thekitchn.com/irish-soda-bread-recipe-23635136) is my picture for this St. Patrick's Day Sunday. But let's think back to that Sunday last month when most of you were glued to the screen for football, or for expensive advertisements:
All I can do, some days, listening to what's happening in the world, is sigh, shake my head, shed a tear...
This poem was generated from images I gleaned while visiting the Pacific shore of Costa Rica at the end of January. Photo was taken in a natural sea cave at one of the many beautiful beaches in Uvita, Puntarenas Province.
So many love poems drafted after working from Rosemerry Wahtola Trommer's inspiring zoom a few weeks ago! But here's one that came from the universe more recently:
I've been mining a video of ideas from Rosemerry Wahtola Trommer on writing love poems, and here is a sample, one of many I am drafting and working on:
Costa Rica was beautiful; COVID when we got back, not so much. But here's a poem from before the trip: